Page created before launch (11/11/2022). After this date it will only be here for historical value. Some texts will give inaccurate information.
Musical projects Elven Voice and Allia Elvish release their first EPs (lyric videos below)
This is an unpublished material scheduled for release on 11/11/22 (which may be postponed or advanced as the case may be licensed for another work in the entertainment industry).
There are two themed music projects. The first with an emphasis on the medieval/fantasy follow-up and the second with a futuristic/fantasy theme.
Below is a more detailed explanation of the work.
The songs have been produced for four years.
For aesthetic purposes, an artificial language based on Esperanto was created. We made this decision to make it sound more elven without infringing on JRR Tolkien’s family copyright. In both the medieval and futuristic sounding design, medieval instruments and 16th-century compositional techniques are used (Modal Counterpoint by Giovanni Pierluigi da Palestrina).
We believe that the songs will add a more exotic, mystical and interesting feeling to any production (film, series or game), making it artistically richer. There is a presence of contrast in both projects: in the futuristic version by the medieval instruments and in the medieval version by the futuristic themes addressed in the lyrics.
To create the melodic phrases, computational random generation was used (following the calculations and tonal jumps of the 16th century). For the selection and combination of the aforementioned melodic phrases, we personally searched for the ones that sounded better and were more similar to pop that people today are used to, aiming at greater sensory acceptance.
The lyrics and themes sung in contrast to the medieval sound, were taken from a futuristic-themed book still under review called Humaro Nova, with the author’s permission. Most messages are based on axiology and make direct and indirect criticisms of current society that, if followed, would lead the world to become perfect (or futuristic utopian as reported in the book).
The use of artificial language allowed the lyrics to be shaped in a way that sounded good, even though the messages were expressed in a direct and practically literal way.
The pseudo-elven style was chosen because the elven symbology is related to perfection, delicacy, aesthetic beauty, magic, virtue, etc.
To interpret the songs, and invoke a global format, singers from nine different nationalities were chosen (Argentina, Brazil, China, England, France, Greece, Italy, Russia and the USA) who all have a pleasant and attractive timbre. The singing was developed mostly in solo, as opposed to the choir often used in medieval themes.
The multi-nationality and union of the project’s members also refer to the idea of creating the Esperanto language itself.
Here are the presentation links.
Access only possible with the direct links. There was still no publication available on search engines or general lists.
Visual subtitles available in English for understanding the letters and in Esperanto so that it is possible to identify the similarity with the language (by the root of the words).
Medieval-sounding Seh-heh Dahnsehvlehn was mastered at Abbey Road Studios by Grammy Award-winning engineer Andy Walter. A specialist in organic and classical music mastering who worked with John Williams, David Bowie, The Beatles, and interpretations of countless classical works by the greatest masters such as Beethoven, Mozart and many others.
Futuristic-sounding Sehveeneetahlahn was mastered at Abbey Road Studios by engineer Geoff Pesche (also responsible for works by Ennio Morricone, New Order, Kyle Minogue, Ed Sheeran, Enya and many others).
Track: “Sehveeneetahlahn” performed by Italian singer Kyba (available in both medieval/Elven Voice and futuristic/Allia Elvish projects).
It names the futuristic EP by Allia Elvish and talks about the greater value (axiology) to be pursued by humanity (following the book Humaro Nova, supported by the teachings of PhD Richard Dawkins and Charles Darwin): “We must seek to live longer and better. And in the possibility of our sun becoming extinct in the future, we must join our forces and make better use of our time to find a new home (a new planet).”
Track: “Seh-heh Dahnsehvlehn” performed by Chinese singer Lesperado (available in both medieval/Elven Voice and futuristic/Allia Elvish projects).
It names the medieval Elven Voice EP and talks about love. The satisfaction and thanks to the universe for having achieved the love that you always pursued. Following the innovative and futuristic theme of the projects and the affirmative trend against modern prejudice, it should be represented on covers and images by the love between two women.
Track: “Ehvehlieya Fehteh-eefehth” performed by English singer Silke (available in both medieval/Elven Voice and futurist/Allia Elvish projects).
Music about evolutionary sports. Still following the subject of the reference book, it says that improving ourselves in activities that are linked to our interests, can make us better humans across generations (running, swimming, cycling, coding, flying drones, etc).
Track: “Heh-alah Fehtahnseeahlehvehn” performed by Russian singer Ann Dopira (available in both medieval/Elven Voice and futurist/Allia Elvish projects).
More mystical music from the projects and it talks about the power of our mind and how our thoughts can affect the universe.
Track: “Mnehn-heetahv Fahmnehnahn” performed by Argentine singer Eli Lib (available in both medieval/Elven Voice and futurist/Allia Elvish projects).
It talks about social classification. If human beings were classified according to the contribution they made to their species, we would have a fairer world. Where celebrities would deservedly be those who contribute the most to society. The social classification is pointed out in the book Humaro Nova as the main reason for the evolution of the planet and the elimination of the evils that hit humanity.
Track: “Vehnahn Mnyehndehfehl” performed by Brazilian singer Rebeca Modena with the participation of Greek singer Mary Protopapa, French singer Louison Cherubin and North American singer Gianna Juliet (available in the futuristic project Allia Elvish).
It talks about the possibility of the return of direct democracy and the direct vote of citizens through their phones to define the laws. Eradicating the corruption made possible by the use of representatives to exercise the will of the people. In this track, the nationality of the singers was purposeful. The producer, in addition to choosing a singer of his own nationality, chose representatives from countries directly linked to the creation or development of democracy.
Track: “Dansadeveeneaan” – Instrumental (available in the medieval Elven Voice reference project).
The Wine Dance. A track where the influence of 16th century music is more evident through the teachings taken from the works of Giovanni Pierluigi da Palestrina. In progress considerably faster than used at the time and aesthetic organization of verse, pre-chorus, chorus and bridge to adapt to a more modernly acceptable format.